
Opernball | with Jonathan
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"This painting was made after the Opernball, an evening built on surface and performance. Wealth staged as culture. Precision without warmth. A structure that appeared refined while feeling internally empty.
Later that night, I painted with a friend, Jonathan. Years earlier, he had taken hallucinogens and was violently attacked during the experience. What followed was not understanding but containment: police, hospitalization, diagnosis. What stayed with him was not schizophrenia, but fear, given form, moving from perception into the body.
We painted as a dialogue. One gesture answered another. The canvas became a space where experience could be approached directly, without being reduced to explanation or pathology.
My way of working is informed by myths understood as ancient knowledge, early frameworks for understanding inner experience and the relationship between inner and outer worlds. This perspective shaped how the process was held and how the painting emerged.
The title Opernball is intentional. The skull points to systems obsessed with appearance, polished on the surface, hollow underneath.
This work is not about trauma as spectacle. It is about fear becoming visible, and therefore limited."
Dieses Werk kann in den Öffnungszeiten im Showroom in der Kuffnergasse 7 besichtigt werden. Wir freuen uns auf deinen Besuch!
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Signatur / Echtheitszertifikat
Neben der Signatur der Künstler*in auf der Arbeit, bekommst du zusätzlich zu der Arbeit ein geprägtes Echtheitszertifikat mit Stempel, Unterschrift sowie Laufnummer dazu um die Provenienz deines Kunstwerks nachzuweisen.
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Micka Vojtech
BIO Vojtěch Micka (1994) is a Czech multidisciplinary artist based in Vienna. His practice moves between painting and fashion, exploring paradoxes of the contemporary world shaped by media manipulation and fragmented perception. In his paintings, mythical imagery intertwines with scenes drawn from everyday reality, forming a space of fantastic realism where the real and the imagined coexist. This tension reflects the confusion of a world simultaneously overexposed and distorted by information. ARTIST’s STATEMENT My work investigates the relationship between inner and outer elements — between the emotional and the social, the personal and the collective. Through this clash, I examine painting itself as an act of transformation — a way to externalize internal landscapes, to make visible the invisible, and to seek meaning amid chaos. My recent projects also extend painting into fashion and material culture, challenging boundaries between disciplines and questioning how aesthetic forms respond to the instability of our time.




